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He also adds "nested art" to this list.
17 See Livingston 2003 who treats nested art and the mise en abyme as if they were
merely words that needed to be made clearer by the insistence of a simple reduction to the following definition: nested art "nests another, real or imaginary, work of art just in case at least part of the latter work's structure is displayed in the former 'matrix' work" (233).
But on this view easy identification and aesthetic function are mere tools of nested art, which, like the mise en abyme, represent, articulate and reflect consciousness (the artist's, the viewer's) striving to understand its own functioning through engagement with the artwork and its nesting.
An unintentional picture-in-a-picture may not be nested art in Livingston's scheme but it is still a result of an act of thinking that may or may not have revised an original impulse to signal self-consciousness.
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